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Here is my blog for History of Art 211. 

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Sesshū

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  This painting has a very distinctive technique used to create a landscape. The technique is called haboku, which means splashed ink or broken ink. This technique became very popular in 1420-1506, because of master Sesshū Tōyō. The painting does not have a name, most know it as “Sesshū”. Medium used for this piece is simply just ink on paper. The scroll is about 148.6 centimeters by 32.7 centimeters. The artist who took influence from Sesshū was named Bokushō. The process they did to create this landscape was by applying wet, dark ink in a rapidly fashion to paper. To get the shapes that were desired, the artist had to have light brush strokes to make the soft, and diffused effect. In the piece there are no harsh lines or forced figures, but still creates a prominent image of a landscape. The haboku technique requires a lot of patience and Zen. Often, the artists who use this technique are Zen Buddhist; they paint this way to celebrate their mindset. The technique...
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Ilkhanid Mihrab

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 https://www.khanacademy.org/humanities/art-islam/chronological-periods-islamic/islamic-art-medieval/v/ilkhanid-mihrab-1354-55-isfahan-iran-metropolitan-museum-of-art-new-york The Mihrab (Prayer Niche) was created with a lot of artistic views and purpose with religion. The Mihrab was created in 755 A.D, originating in Iran, Isfahan. The  mihrab  is  so significant in archaeology due to the existence of an appropriately arranged mihrab  in a building. Because of this, the artwork can indicate Muslim attendance in a settlement. The prayer  niche  is the main focus inside of a mosque. A mosque is a symbol of Islamic architecture. This architecture has an important purpose by displaying the power of Allah the Almighty. The embellishments are to be engaged as part of  mosque  factors. It is more than to be just aesthetically pleasing to the viewer. The location is in the qibla wall, which is oriented toward the holy city of Islam...
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Art 211 9/9/20

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  Laocoön and His Sons (The Laocoön Group)   https://smarthistory.org/athanadoros-hagesandros-and-polydoros-of-rhodes-laocoon-and-his-sons/   Laocoön and His Sons, or the Laocoön Group was sculpted in 323 BCE – 31 CE . The marble piece was unearthed in Rome in 1506. The fragments of the sculpture were found in the remains of the palace of the emperor Titus.  Ancient art historian, Pliny has seen the piece there a long time before. According to Pliny, Laocoön and His Sons was created by three sculptures from Rhodes. Those sculptors were, Polydoros, Athanadoros and Hagesandros. The details such as the muscles and movement and energy is not associated with classical ancient Greece but with Hellenistic with the third or second century.  Laocoön and His Sons displays significance in the realistic representation of movement. Apparently, Laocoön had only one son, but the sculptors’ variation added another son to correspond with the Roman poet Vergil’s accoun...
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